The Tattooed Poet's Project: An Introduction

April is National Poetry Month!

In addition to the "regular" Tattoosday features, every day in April will feature a different poet's tattoo(s).

Poets across America have contributed photos of their tattoos for us to enjoy, with each post linking back to BillyBlog, where one of their poems will be posted on the corresponding day.

Not all the poems are tattoo-related, but many are. Please come back every day in April to see the wide range of poetic tattoos!

Tattoorism: Christina's Fleur-de-lys

For those of you visiting Tattoosday for the first time, I refer to posts based on reader submissions as Tattoorism. That is, tattoos from out of town visiting us here in the blogosphere.

There was a pleasant surprise in my in box this morning:


Skeptics may say, "What's the big deal? It's just a fleur-de-lis!" But we here at Tattoosday don't think that way. Tattoos aren't just designs inked into the flesh, they generally carry significance that transcend the skin and touch the soul.

And I'm always interested when someone I've never met takes the time and energy to send me a photo and elaborate on their tattoo. Christina's tattoo, above, is a case in point.

I'll let Christina explain her one and only tattoo:

"Tom Berg at SoCal Tattoo in San Pedro, CA did my ink. He designed the elaborate tattoo for the main character in the tv show "Prison Break," [see below] among others.

My husband works for the show and knows Tom, so he was able to get an appointment in two weeks instead of the one-year waiting list that he normally has. So we had that going for us, which is good.

People ask me all the time if the 4-inch fleur de lys between my shoulders means that I really really love the [New Orleans] Saints, or the Boy Scouts... Nope. The fleur has been popping up in my life for years. I wore a ring with a fleur on it, identical to a ring that my best friend in high school wore, which we got on my first road trip. That relationship was instrumental in breaking me out of my shell in school. I wore the fleur on a necklace through college. Then, I spent a year living in Florence, Italy. The symbol of the city is the Florentine "gigli," or lily, the Italian version of the fleur de lys.

One of my housemates said something that stuck with me. "Florence doesn't change you, it only makes you more like you are."

For me, my tattoo is a symbol of my journey toward becoming who I am supposed to be, doing what I am supposed to do, living how I am supposed to live. I got it two months after I married the love of my life, my best friend since I was 12."

The Fleur-de-lis (also spelled fleur-de-lys) has appeared on Tattoosday previously here. I'd like to thank Christina for her continued readership and contribution to the blog!

I cannot guarantee that I'll publish every tattoo e-mailed my way, so I don't openly solicit contributions. However, every once in a while, it's a nice change of pace, both for us here at Tattoosday and, I believe, the readers. Thanks again, Christina!

Xrin Arms Explains His Tattoos

I ran into Anthony after work while passing through the Amtrak section of Penn Station.

He was in town to perform in Brooklyn and was waiting for his ride. He performs under the name "Xrin Arms," which he pronounced as "Your-in-arms". He's a techno punk musician currently on tour. Here's the flier for the gig he was playing that night:


He had an unusual series of tattoos which he allowed me to photograph, after he explained them to me.

The tattoos cover a significant part of his upper right arm, as well as one side of his forearm.

First and foremost, as a writer, he had his pen inked on his arm.


He always uses a Pilot Precise V5, he said,

and he produced one to show me, holding it up to the piece to show me that it was tattooed to scale.

The next element of his inked arm is a legion of sperm directed at his elbow. Some of the sperm are traveling from the pen, representing the knowledge that flows from the written word.

At the center of the elbow is a moth in a circle. He said that it represents a "moth in a beehive". When I questioned that image, he acknowledged that that was how he feels a lot of the time.


If you picture a moth in a beehive, you envision many things: solitude and violence. Of beauty and alienation. The sperm heading toward this image reinforce that the creative experience is a birthing process fraught with danger.

Lastly, on the back of the bicep, is an owl with its wings outstretched.


The owl represents to him that he is noctural, and stays up all night.

He has 2 other tattoos but we stuck with these because they played off one another.

They were tattooed by Chris Bragg when he was working out of Hammer's Tattoo & Body Piercing in Canton, Ohio.

Please check out Xrin Arms myspace page here. There's also a cool interview with Anthony over on the blog Digital Liver here.

Thanks again to for sharing his work with us here on Tattoosday.

As an added extra, here's a video of Xrin Arms song "Feather Mask":

Two Tattooed Tourists on a Tuesday

Sometimes the hand of Fate guides the Tattoosday blogger as he journeys through the streets of New York. At lunch, a change in traffic signals prompted me to veer East, sending me into a bank vestibule that I rarely, if ever, frequent.

I could have ventured into a dozen branches or drug stores to do my business but this is where I ended up on a day that started frigid, but was still in the blustery high 30's at noon.

I finished my ATM transaction and exited, not even glancing at the two people to my left, jacketed and weighed down with large backpacks.

I hit the sidewalk, peering into a side window bordering the vestibule. I did a quick about-face and headed back into the bank. Despite the coats, hats, and long pants, I could tell the two men I had been next to had significant ink.

And, once back inside, I was delighted to find them both willing to talk tattoos.

Both men were visiting tourists from England. The first one I spoke to was Jethro "Jeff" Wood, a tattoo artist who works out of The SkynYard in Southend-on-Sea (in Essex County, 40 miles East of central London). I spoke to Jeff first, while his friend Sam worked the ATM machine.

Jeff estimates that his body is 30% covered in ink. He offered up this neck piece:


I apologize for the angle, but one can see that it's a pretty nice grim reaper tattoo. You also get a view of the small skull and crossbones behind Jeff's left ear.

He had been hanging out with another tattooer and "got drunk and tatted my neck". The artist was Dan Sims at Life Family Tattoo in Sevenoaks, Kent, in England.

Not to be outdone, Jeff's friend Sam had an amazing pirate-themed neck piece, with a "Do or Die" banner, courtesy of Jeff:


The two visitors seemed to enjoy showing their tattoos and were soon rolling up pant legs to show me what Jeff's apprentice, Charlie, had tattooed on the back of Sam's left leg:


That is the mask of The Ultimate Warrior.




Sam also showed me some work on his right leg, also credited to Charlie, featuring a mythical creature, "The Rare Horned Dolfin," stuffed and mounted by a taxidermist:


Granted, it's a funny tattoo, but I believe there was an element I was missing (perhaps a key facet of an inside joke). Sam and Jeff laughed heartily while showing me the piece, along with another gag tattoo on Sam's right calf, a D.L.T. sandwich:


In a DLT sandwich, the bacon is replaced by, you guessed it, tiny smiling dolphins!


I also get a kick out of the "I love frogs" scribbled above the D.L.T. Note the S is reversed. Sam indicated that Charlie had done some of these, but he had also inked a few himself, on an experimental basis.

Both men also have knuckle tattoos, and pictures of their knuckle are posted here at KnuckleTattoos.com.

Thanks again to Sam and Jeff for sharing their tattoos with us here on Tattoosday!

Only God Can Judge Him

A nice surprise last night when, out of the blue, a previous Tattoosday subject, John, sent me his latest tattoo.

I met John initially at the 3rd Avenue Festival in Bay Ridge, back in the earlier days of the blog, where he displayed a leg piece in progress here.

He later had the piece finished and we featured it, in all its glory, here. In addition, he sent me photos of his other three tattoos here.

But here is something new from John, who I haven't seen in a while. He explained this new tattoo via e-mail:

[It] says "Solo Dio Puo Giudicarmi" ... which means [in Italian] "Only God Can Judge Me"... I got the tattoo for religious reasons and for another one ... nowadays people give a shit too much about what other people think and try to conform to be like everyone else just to blend in. [The tattoo] is a reminder to me and to all that read it, regardless of belief: just be who you are. Because, in the end, it does not matter what anyone else think of you, but you.

Thanks again to John for sending this my way! We always appreciate return visits from previous Tattoosday subjects!

Tattoorism: Joltin' Joe Swings for the Fences

A couple weeks back, I posted a really cool Marilyn Monroe tattoo with a New York Yankees spin.

To give Joe DiMaggio his proper due, we have this leg piece above, sent to us by Craig, who explains:

"[Had] this tattoo done last February. I am a big Yankee fan .... [I] like watching all the old timers on TV anytime I can. Wanted something different.....something that stood for what baseball was, back in the day. Had it done by a local shop, Hard Core Ink in Catasauqua, PA. Jon was the artist. The guy does not know how good he really is! I have the next one lined up .... going to have [Mickey] Mantle kneeling in the on deck circle at The Stadium put on my right leg."

Craig's piece is a great replica of this famous photo:


As baseball season approaches, we here at Tattoosday thank Craig for sending us his awesome tattoo of "The Yankee Clipper," and look forward to seeing what Jon at Hard Core Ink can do with Mickey Mantle.

Thanks Craig!

Megan's Numeric Neck tattoo

On a day when my wife was tattooed with a lucky "13," it seemed fortuitous when our waitress at dinner unveiled her numeric tattoo:


Born on April 7, Megan had these hash marks inked onto the back left side of her neck.

Because of the numbers 4 and 7 being significant in her life (aside from their analagousness to the seventh of April), she chose a rather unorthodox forty-seven lines, inked up like a scorecard.

This was tattooed at New York Adorned.

Thanks to Megan for baring her neck in the line of duty and sharing with us here on Tattoosday!

An Interlude

The previous post featured our recent adventures at Dare Devil Tattoo on Friday the 13th.

I wrote specifically about my wife Melanie getting her lucky 13 tattoo on her birthday. People who know me and know Tattoosday were excited not just for her, but for me as well. They knew I'd be surrounded by tattoos, and that I would therefore be busy talking to people about Tattoosday, and collecting stories and photos that would last me through summer.

Not quite.

Certainly the cold weather helped (or hindered, depending on your perspective), but the concept behind Tattoosday has always been about the random spotting of tattoos on the streets of New York. The expression "shooting fish in a barrel" comes to mind. There is no "sport," if you will, in going to a tattoo shop, or convention, and collecting blogfodder.

I could certainly do it, but the randomness and surprise element that one finds on the street are what really help propel the blog along.

So, by the end of our Dare Devil adventure, I had material for the post on Melanie's tattoo, nothing more. I did pass my card to the two young ladies behind us with whom we had a mutual friend, but I did not request their participation, although I could have. I did not identify myself to shop employees as an ink- blogger, although I could have.

Not to mention, it was Melanie's birthday, not mine. I was there for her, not me. No lucky 13 tattoo for me, although I would have loved one.

I was rewarded later in the day by two other tattoo encounters, which I did document, and which will appear in the days to come. I am hoping to receive emails from the participants to fill in the blanks that time and necessity left incomplete.

So, stay tuned.

Thanks for visiting.

Tattoorism: Sean Stops by To Unveil More Amazing Work

A month ago, I posted a bit of tattoorism; Sean from New Jersey sent me photos of his left leg, an intricate Japanese-style piece, complete with koi, dragons, a lotus, and a pagoda.

Sean has been kind enough to update us here on Tattoosday with two more pieces, the first being this cool gypsy head that is tattooed on the inside of his upper left arm:


As he was in the last post, Sean is not only generous with the pictures of his tattoos, but he also has provided a thoughtful explanation of his work:

"I got the gypsy woman about two weeks after graduating from college. I really enjoy the traditional, old school style of tattoos and feel it’s important that this style does not disappear... from tattoo culture. Further, I always viewed these women as adventurers, constantly looking for a new journey. Especially, the woman who are looking off to the sides, almost as if into the distance, as opposed to those who look straight forward. I always envision them looking off to a new land, a new adventure, etc. This tattoo signifies my “journey” through life, especially significant due to just graduating college. It is a reminder to never stagnate and to constantly be striving for better things. I plan on getting a banner added underneath with the word "hope," for obvious reasons."

Sean also sent images from his right leg sleeve, to match the work on the left:



Again, in his own words:

"I had my right leg sleeve done for most aesthetic reasons. I explained [previously here]...that I love Asian style artwork, and to keep symmetry with my left leg this was done in just that style. Originally, I believed I had chosen the geisha image solely for its beauty.

However, about a week after my tattoo I realized that my family has a framed picture of a geisha hanging outside of my room that I have honestly never paid much attention to, until seeing it that day. So now, every time I see the tattoo it reminds me of my home and family (particularly, my mother for some reason). Your subconscious has a funny way of revealing itself.

Moving on, the phoenix has always been a very powerful image to me.

I love the idea of rebuilding yourself from the ashes of past selves. This was significant to me as I received that tattoo during my final years at college (the first two years I spent commuting to a community college, the last two years I spent living on campus away from home for the first time in my life). I feel that those two years living away from home was a period of immense change, where, metaphorically, past versions of myself “burned up,” with new versions arising from those ashes.

Finally, the bonsai tree kind of goes hand-in-hand with the phoenix imagery.

It was always interesting to me that in order for a bonsai to grow correctly, a have a long life, it needed to have branches/new growths pruned and trimmed, in essence losing a piece of itself. I feel this ideology also applies to human life. In order, for someone to fully mature, I feel one needs to be prepared to lose parts of oneself (whether they be thought processes, habits, etc.) in order to grow into a better-equipped and well-rounded person. The bonsai reminds me to strive for this."

I once again thank Sean for not only sharing his tattoos with us here, but for putting the effort into writing a thoughtful, detailed account of the meaning of the art gracing his skin. As with previous pieces featured, the tattoos in this post were done by Mike Schweigert at Electric Tattoo in Bradley Beach, New Jersey. Truly a talented artist that was able to so distinctly transform Sean's body into a living canvas. We here at Tattoosday offer our sincerest thanks and appreciation!

The Tattoosday Book Review: High Voltage

As a viewer of the cable show Miami Ink, I watched with great interest when Chris Garver brought his friend Kat Von D. into the shop as a guest tattooer in the show's early days. Kat's portrait work is phenomenal, and she is an extremely charismatic person.

The problem with reality shows like Miami Ink, its spin-off L.A. Ink, and the A&E Series Inked, is that the producers feel, and perhaps rightfully so, that a show filled with tattoos is bad for ratings. When I was getting my second tattoo, in 2005, I asked my tattoo artist, Peter Cavorsi, what he thought of these shows. He shrugged and said "too much drama" and told me he didn't watch them. He struck at the core of the tattoo shows' problems: the purists in the tattoo community generally are frustrated by the fact that the personal relationships often overshadow the occasional tattoo. Fans of the shows will tell you: drama drives ratings.

Kat Von D.'s popular success is not due solely to her skills as a tattoo artist. I am not saying she isn't talented. She's immensely talented. But I admire her just as much, if not more, for her ability to parlay a dramatic turn of events (her conflict with Miami Ink's chief protagonist, Ami James) into what is appearing to be an empire. Kat Von D. may be a great tattoo artist, but she's also a hell of a business woman, as evidenced by her shop's success in L.A., her show's ratings, and her successful side projects, like the Tattoo/Music festival "Musink," her cosmetics line at
Sephora, and, most recently, her book High Voltage Tattoo. In other words, Kat’s not just an artist. She’s a brand.

People generally either love Kat Von D. or hate her. She has a devoted fan base and a huge following. She is indisputably the most popular tattoo artist in America. But with success of such magnitude comes detractors. The tattoo community has always been a very close-knit, insular, society. Tattoos have never been so popular, and there is significant resentment among "old school" tattoo aficionados, that trendiness breeds sell-outs, and a dilution of the purity of tattooing as an art form.

Personally, I understand this sentiment, but at the same time, I admittedly am part of the handful of people who are riding the wave of tattoo popularity. Tattoosday was in-part inspired by the Miami Ink phenomenon. My knowledge of tattooing was limited when I got my first two tattoos. I am much more knowledgeable now than when Tattoosday was "born" a year and a
half ago, but I hardly think of myself as an expert, nor do I pretend to be. I am just writing about what interests me and ultimately, in its purest form, that is what Kat Von D. has done with her book High Voltage Tattoo.

This, ultimately, is a first for Tattoosday. It is a bona fide review. Have I sold out the original concept behind Tattoosday? Hardly. I am just writing because that's what I do, like a tattooer tattoos because that's what they do.

So let's take a look at the book, which any L.A. Ink viewer knew was coming, as the story behind the book was one of the many episodic plot lines in the show.


First and foremost, let me first say this is a beautiful book. The production value reflects the care that went into its engineering. The first printing has a thick padded cover (the second printing reverted to basic hardcover with dust jacket) which enhances the feel of the book. The pages are thick and bright with colorful graphics and photographs. For the simple fact that the book has on display so many beautiful tattoo images, it is worth the list price, purely for its aesthetic value.


Drilling down into the contents, High Voltage Tattoo offers a great introduction to not only Kat Von D., but to the art of tattooing in general, perfect for the average person looking to know more about tattoos.

The 175-page project is built around the High Voltage motif which has inspired Kat Von D.'s shop in West Los Angeles.

The five sections of the book are named after AC/DC songs: "Highway to Hell," "Let There Be Rock," "Back in Black," "If You Want Blood, You've Got It," and "Dirty Deeds Done Dirt Cheap". Each chapter takes on another aspect of Kat's journey, from her biography, to the genesis of High Voltage Tattoo, to a portfolio of portraits, to a section profiling some of Kat's work, and ending with a brief selection of artists who have inspired her.

This is certainly geared to the Kat Von D. fan, but there is something for everyone. Most compelling is her biographical chapter that gallops through her career, astonishing considering she is celebrating her 27th birthday today (March 8, 2009). We only get the highlights, which is understandable because what is often underplayed and lost on television, is that the life of a tattoo artist may seem glamorous and exciting, but there is an insane amount of hard work and tedium involved. At the same time, the most interesting biographical tidbits seem glossed over. I was very curious to get more of her take on the whole conflict with Ami James. To her credit, she doesn't take any real shots at Ami, and doesn't exploit the drama, despite the public's appetite for such controversies.



Aside from her biography, I really enjoyed the small section on tattoo machines. It certainly gives the reader a better understanding of the basic mechanics and the variations in design. It's not just a tool that gets plugged in and runs. Kat's rudimentary introduction paints a broader base on machine knowledge than one normally sees.

Another fascinating part is the several pages devoted to her own physical canvas. She catalogues her tattoos and answers the burning questions about her ink and their provenance.

I especially like her "yearbook" leg, the left limb on which her friends and family have tattooed their marks. It shows a lack of pretentiousness that is appealing to me, at least; that she is not all about the perfect piece in the perfect spot. It drives home the point that many tattoo snobs
don't get: the meaning behind the tattoo more often than not outshines the quality. And that's completely okay.

Other elements of the book that are useful are Kat's "dos and don'ts", although a lot of it is common sense. But given the lack of sense some people display, these pointers will certainly spare some artists the grief caused by otherwise clueless clients.

I was a little bit put off by some small features of the book, like her lists of things she’s inspired by and the catalog of items she collects. Whether this was just filler, or something the author thought the fans wanted to see, I would have preferred more artwork. In the grand scheme of
things, how important is it that Kat’s inspired by “The F Word” and that she collects leg warmers?

Another section is devoted to what terminology to use and not use. I knew that the expression "tats" is generally not favored (unless it is) and I was corrected early on in this blog's history not to refer to a tattoo machine as a "gun". But I was chagrined to see the expression "ink," referring to tattoos, as much of a no-no as "tats". There aren't a lot of synonyms for tattoos a writer can use, and I was annoyed to have another one frowned upon. Especially since the three most popular shows about the craft all have "ink" in their title. But I'll get over it.

This is a Kat Von D. Production through and through. You can tell she put her heart and soul into this book, and it's certainly a testament to her perseverance and success.

The worst criticism I have is that she certainly makes herself out to be a craftsman devoted to the art, but she doesn't really dwell on her own faults. She acknowledges that she is still learning, but it's hard to find faults in the rosy facade that she paints of herself. She cautions that one
should never get tattooed while under the influence. Sage advice, but she seems to revel in the fact that a lot of her early work (both given and received) was delivered while in "party mode". But if you can get beyond those small contradictions, then the book is a treat for the eyes and the
brain.

I have tried to paint as an objective review of High Voltage Tattoo as I can. The bigger the personality, the more controversial the figure. If you strip away the small aspects and focus on the larger facts: that Kat Von D. is an immense talent, that she is a savvy businesswoman, and, most importantly, has a devout love for her art, then you should derive immense pleasure from this testament to a career that is flourishing in an industry at the height of its popularity.

Not to mention the fact that she is rock and roll, through and through.

Ratings Widget Added

Hey Tattoosday fans! Check out the bottoms of each post. I've added a ratings widget, so you can vote on the tattoos you like!

Tattoos from the Blogosphere: CoccoRossie's Triple Play

I recently received an email from "Coccorossie" who blogs here.

She checks in on Tattoosday from time to time and offered to share a few of her tattoos.

Since she took the time to share them with me, I thought it was only fair to share them with you.



This "Omerta" tattoo is on her right side, on the ribcage. Omerta, traditionally understood as "Code of Silence," reflects her attitude:

"My omerta tattoo is the code of the mob. It means not to associate with authorities and not to snitch. It was my first tattoo. I got it when I was fifteen."

The photo at the top of the post is Cocorossie showing off her tear tattoo. She had this inked for an ex-boyfriend who was shot.

And her final submission was this finger tattoo:


In her words, the " 'love' on [the] middle finger means fuck love." She added, "That one hurt the most."

All of these tattoos were inked by a friend of hers out of his home. As a result, she chose to not give me any further details on the work.

Tattoo purists may turn their noses up at these tattoos. They may not be the most artistic, or most original, but I chose to post them because they clearly carry a lot of meaning for our inked friend and fan of the blog.

For every spectacular sleeve or elaborate back piece, there are a dozen samples of basic, rudimentary tattoos that carry with them vast emotional meaning.

Thanks to Cocorossie for sharing these photos with us here on Tattoosday.

Takeshi's Reminder that Life is Precious

On a day of unlikely inkspotting (8+ inches of snow, frigid temperatures, blustery winds), I thought I would be okay without my camera. Fortunately, I had one on my phone.

Fortunately because, during a brief sojourn into Borders, I met Takeshi, who was visiting from Boston. And he had quite a few tattoos.

Takeshi offered up this neck piece for the Tattoosday audience:


The words "Hold On" refer to the song of the same name, by rock band Good Charlotte, from their album The Young and The Hopeless.

The song is an anti-suicide anthem, and the lyrics relate to the feelings that one battles at a time when suicide seems to be the answer:

This world, this world is cold
But you don’t, you don’t have to go
You’re feeling sad you’re feeling lonely
And no one seems to care
You’re mother’s gone and your father hits you
This pain you cannot bare

But we all bleed the same way as you do
We all have the same things to go thru

Hold on...if you feel like letting go
Hold on...it gets better than you know

Takeshi is a huge Good Charlotte fan and has strong feelings about the subject ever since his childhood friend from Japan, who he has known since they were both very young boys, attempted to take his own life.

The good news is that this is not a memorial tattoo. Takeshi's friend did not succeed and has recovered from the despair that led him to the edge of life.

This tattoo is dedicated to his friend who, when he first saw what Takeshi had done, was moved to tears. The piece serves as a source of strength and inspiration that remains a daily reminder to keep holding on, and to live life fully.

This tattoo was created by Bob Vanderberg in 2006 when he was a guest artist at Chameleon Tattoo & Body Piercing in Boston. Vanderberg left his gig in Michigan and has since joined the staff at Chameleon. Previous Tattoosday posts featuring work from the shop appeared here.

Thanks to Takeshi for sharing his tattoo with us here. We look forward to possibly seeing more of his work in the future.

Below is a video of Good Charlotte's "Hold On":

Fundraising Drive This Wednesday (3/4) at Red Rocket Tattoo

We pause a moment for an announcement...

Chris, who I met on jury duty, and shared his tattoo here, sent me the following message:

Dear Friends and Fans of Red Rocket Tattoo,

A very loved artist in our tattoo family has suffered a tremendous loss. His eldest daughter was tragically killed on the night of February 26th. As he and the rest of his family suffer this loss, we suffer right along side and are doing everything we can to lend support.

Red Rocket Tattoo is putting on a TATTOO DRIVE to raise funds to help with funeral arrangements, legal fees and anything else necessary to aid in the resolution of these unhappy times. We are ASKING FOR YOUR HELP! Wednesday March 4th in the Manhattan Red Rocket Tattoo Studio we will be donating all earned income towards helping our family. Red Rocket will make no profit from this day's efforts.

Along with a few scheduled appointments, we are running a crazy tattoo special and are looking for as many willing participants as possible. We will do everything to accommodate all clients and will work into the night. We will tattoo any name, any kanji, flowers, skulls etc. or any Sailor Jerry style design smaller than your palm for $100. In addition we will do any regular piercing for $20 or exotic for $40 all day long. The first ten clients get a FREE RED ROCKET T SHIRT!

PLEASE HELP US HELP OUR FAMILY! COME IN AND GET THAT TATTOO YOU HAVE ALWAYS WANTED. TELL ALL OF YOUR FRIENDS! TELL ALL OF YOUR ENEMIES! JUST COME IN AND SHOW SOME LOVE FOR ONE WHO LOVES YOU!

We cannot thank you enough!

RED ROCKET TATTOO

Wednesday March 4th
11:00a.m.- whenever our hands fall off!

46w. 36st. 2fl. (between 5th and 6th aves.)
New York City
10018

212-736-3001

The artists over at Red Rocket are top-notch. Their work has been featured on Tattoosday here.
I encourage anyone looking to get tattooed to check out this opportunity, as your participation would not only get you a great tattoo, but would also help a worthy cause.