The Tattooed Poets Project: Elliott D. Smith

I met Elliott D. Smith at the Union Square Barnes & Noble last month and took pictures of his tattoos for The Tattooed Poets Project. I also met his roommate Jared, whose work will appear here tomorrow.

Elliott has quite a bit of work, including a sleeve-in-progress, which is being constructed by the wonderfully talented Joy Rumore at Twelve 28 Tattoo in Williamsburg, Brooklyn.

Check out this composite of Elliott's right arm:

This still-incomplete tattoo is part of a sleeve based on a mural at the Morgan Street stop on the L train in Brooklyn.

Photo by Elliott D. Smith

The sleeve has the Alice in Wonderland figure at its center, but a lot of other images, like the banana as well. Elliott pointed out in the photo above that the banana (lower right corner) is much smaller. For the purpose of the art of the tattoo sleeve, its scale has been increased significantly.

Elliott added that he visually enjoys the image of the mural, and his "own little Alice in Wonderland dream land" is slowly taking shape on his flesh.

Also on his right arm with the sleeve is this quote from "The Transformation of Silence into Language and Action," by Audre Lourde:

The quote is "I am not only a casualty, I am also a warrior."

There are times when a writer's words resonate so loudly in your ears, they shake you to your core. Elliott told me that he "read it [these lines] one day and the next day got the tattoo."

He offered up this interpretation of the line: "it's easy to think of yourself as victim," he said, but succeeding in life is about "surviving and fighting through victimhood".

Elliott also has these words on his outer wrists:

This is the third poet this month with "poet" inked on his or her flesh. However, the combination of "freedom poet" adds another dimension to the corporeal text.

This was a "spur of the moment" tattoo, Elliott told me, elaborating that aside from the obvious "poet," he is "holding freedom in his hand and facing out".

Finally, we don't get a lot of lower back tattoos here on Tattoosday, but when we do, they are extraordinary:

Elliott took a couple of photos into Joy and she crafted this design. The concept is a spin on the "power to the people" idea, but with an emphasis on urban people. "Most Americans live in cities," he explained, "but [they] don't have power". This is a spin on the frustration that many feel, that the values of the citizenry of the American cities are not represented by the government.

As for poetry, Elliott offered us this work:

EARNING STRIPES

I own thirteen striped shirts.

I have known the misfortune of wearing lines on skin,

stretch marks and self-hate carve flesh in convincing fashion.

No lover has ever asked me why

I have known the misfortune of wearing lines on skin,

razor blade reminders tattoo thighs with teenage dreams.

No lover has ever asked me why

it was so easy to steal from myself.

Razor blade reminders tattoo thighs with teenage dreams,

this belly, a thanksgiving turkey for carving--

it was so easy to steal from myself

when I didn’t believe I had anything to give.

This belly, a thanksgiving turkey for carving.

Sliced up white meat

when I didn’t believe I had anything to give.

Mother doesn’t know there’s blood on the stairs.

Sliced up white meat,

stretch marks and self-hate carve flesh in convincing fashion.

Mother doesn’t know there’s blood on the stairs.

I own thirteen striped shirts.

~ ~ ~

Elliott D. Smith reps Louisville, Cincinnati, and Brooklyn. When he's not  working with formerly incarcerated people or conducting research on masculinity, he drinks whiskey and talks too loudly. He believes in the power of tattoos, reference books, and matching music with the weather.

Thanks to Elliott for sharing his ink and his poetry here with us on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

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The Tattooed Poets Project: Kim Addonizio's Blue Roses

When first embarking on this tattoo project, nearly everyone I asked referred me to Kim Addonizio. I'd venture to say she is the poet most well-known as "tattoo-friendly". In part, this is due to her editing an anthology called Dorothy Parker's Elbow: Tattoos on Writers, Writers on Tattoos.

Graciously, Kim accepted my invitation to participate in Tattoosday's National Poetry Month project. She sent me the photo above, her fourth tattoo. I love the blue roses that set this piece apart from most lower back tribal tattoos.

Kim told me:

"The piece was done ... in Santa Barbara. It was the worst tattoo experience I ever had. (I have five tattoos). In the middle of it [the artist] took a phone call, saying, "Oh, hi. I'm tattooing a crack." I like the tattoo, though. There wasn't any particular significance to the design, for me, though afterwards I thought about Laura Wingfield in Tennessee Williams' The Glass Menagerie being called Blue Roses by her Gentleman Caller, and so it's become a bit of a reminder to myself, when I'm feeling fragile, to take a risk rather than withdraw."

She had this tattooed in 1994 and has added one more to her collection since then.

Be sure to head on over to BillyBlog to read one of Kim's poems. And although not every poem written by an inked poet appearing on BillyBlog this month is tattoo-related, Kim's is.

Thanks very much to Kim Addonizio for sharing her tattoo with us here on Tattoosday!

Krystynna Shares Her First Tattoo

Krystynna walked by me on 7th Avenue on Monday, and her tattoos on her wrists, behind her right ear, and her left bicep were totally cool.

When I realized a sidewalk photo of her quarter-sleeve wouldn't do it justice, which she confirmed when she later told me it ran up onto her shoulder, I asked if she would rather have me take a picture of a different tattoo.

Kristynna surprised me by offering up her first tattoo, a large lower back piece. Remember, folks, I never take a lower back tattoo unless its offered, according to the Tattoosday Code of Conduct.

Kristynna got the initial piece on the lower back, some flash art on the wall at Armageddon Tattoo when she was 17, ten years ago. She subsequently added little bits and pieces to make it into a larger piece over the years.

She has 9 tattoos in all, all done by Iann at Armageddon. Kristynna works as a Special Needs Educator for kids and acknowledges that the children love her tattoos, and the parents have no issues with them, either. This is good news, because the tattoos she has visible are extremely well-done, and I am looking forward to her sending me shots of the arm that do the piece
justice.

Thanks to Kristynna for sharing her ink with us here on Tattoosday!